Informed by the traditions of photography, in particular 19th century portraiture, as well as literature and philosophy, Jones’s photographs have a quiet power and unsettling beauty. In your average photo, its usually pretty clear to see whats going on. In her more recent ‘Rose Gardens’ series, extracts of which will be on display at Hestercombe, the plants have themselves become the subject, their theatrical presence, heightened by studio lighting, acting as a stand-in for human drama. Confusing Photos That Will Make You Do A Double-Take. Lets start this off with a little game, shall we At Break At Break 2. Gardens and parks initially appeared in Jones’s work as theatrical settings for her photographs. Whether childrens portraits or car clubs, we have something for you. We specialize in Kids and Cars We offer discounts for group location sittings. That has evolved into DoubleTake Photography.
We started taking pictures of cars and grandkids. The photograph looks staged so the inclusion of the poster seems like no. In the image below, a worker demonstrates soldering during World War II while, hovering in the background, a poster appears prominently enough to be visible and legible. ‘In Jones’s work, which she describes as ‘both documentary and imagined’, trees, plants and flowers have an allegorical and theatrical presence and are a motif in her ongoing exploration of photography’s formal and narrative possibilities. Released 2009, July 100g, 17mm thickness Feature phone microSD slot N/A 78,221 hits 15 Become a fan 2.1' 176x220 pixels. DoubleTake Photography We are Ricky and Marsha. Finding and identifying posters within photographs is another way to see the past in a new light. This exhibition curated by Kate Best, ‘brings together photographs by Gertrude Jekyll (1843-1932) with work by leading contemporary artists Sarah Jones, Helen Sear and Mark Edwards, all of whom have recorded a garden or returned to the theme of plants and gardens and whose work resonates with the historic gardens at Hestercombe’.
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